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Although Harold has written/taught various topics on photography and printing, I can't seem to find what film and developer did he use, especially for his Coney Island series.

Perhaps others can shed a light?

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    \$\begingroup\$ Unless it's documented it's unlikely anyone knows. In addition what paper he used & how he made the prints is probably more important (and the answer to that will certainly be 'a paper you can no longer get'). \$\endgroup\$
    – user82065
    Commented Jul 30, 2019 at 11:32
  • \$\begingroup\$ For any shooter who has had a long and lively career, I'd expect their film and paper choices to evolve or change. I would consider asking about all photos to be too broad a question anyway. Can this question be limited to a single image? \$\endgroup\$
    – OnBreak.
    Commented Aug 2, 2019 at 19:48

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On his web site, in a comment on the post Available light: Coney Island at Night Harold Feinstein has supported pushing TRI-X (from 200 to 1600) by developing with Diafine for low light photography.

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