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It's important to understand exactly what's going on here. The ISO setting on a digital camera and on a film camera are kind of related, but they actually do quite different things. On a digital camer …

In 1924, 29 years before Tenzing Norgay and Edmund Hillary summited Mount Everest, George Mallory and Andrew Irvine made an attempt to climb the mountain. They were last seen high on Everest making th …

So, to repeat, you'll get the best results by exposing film at box speed and developing accordingly. As mattdm asks in a comment, why do you want to push the film at all? …

With regard to this specific question, you will almost certainly find in the terms & conditions of the film developing service that in the case of error on their part, they hold themselves only liable …

I think what you are referring to might be an artefact of the exact shape of part of the inside of the camera. Hasselblad V-series cameras produce this effect, with characteristic "cut outs" along the …

must not have been necessary at all if the goal was to get B&W results through the C-41 process – at least not in the latter days of film's heyday – because I did once drop a roll of colour film off for developing …

Film simply doesn't perform well "indoors in low light situations". Light levels are measured as an Exposure Value (EV). Home interiors with average light measure about EV 5. With ISO 400 film, EV 5 s …

To add to @bvy's helpful answer, I think the static-y thing you are seeing is film grain, amplified in the printing/scanning process in an attempt to bring out an image in an extremely underexposed ne …

Developing film consistently, for an established lab, is not a difficult process. …