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1

You need to set those terms before hand, and it's always best to set a reasonable minimum expectation and overdeliver if the shoot went particularly well. What is a reasonable number really depends on the nature of the shoot. If you do something with heavy post work, maybe compositing images and such, then 1 might be reasonable. In most of my own shoots, I ...


3

I think what you do can vary, but the important thing is to act in good faith. What I would do is to say they can have good copies of all the images that you consider good, and undertake that these are all the images you consider good, and in particular that you are not sneakily going to make use of any other images, or are holding back the best images. '...


3

Make it clear from the start - your time is yours. It takes far longer to edit the shoot than it did to shoot it. You are already investing more time in this exchange than they are. Secondly - no-one gets all the shots. Tell them your job is to take a mixed bag of lemons & peaches & separate out the peaches*. The lemons go in the bin, the peaches ...


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