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View this Leica blog and look at his negatives. He used a lot of TriX 400. The idea is exposing for the right things. He exposes so that the shadows are all dark. You can certainly bring the highlights up in post processing, but look for high contrast light - noon light and shadows.


Another option is to shoot through colored filters. Back in my "I'm going to be a real photographer!" phase (before I realized I had absolutely no talent for it), I shot a lot of B&W through various filters to enhance or reduce contrast. Red filters darken blues (making white clouds stand out against a blue sky), green filters darken oranges (bringing ...


With selective grade contrast papers and a variety of film processes you can achieve these results. I don't know if there's negative combinations or pre-flashing of the paper, but all of these are easily achieved in the darkroom after a couple of weeks of practice. I hate to say it but these appear to be pretty simple- so the fact that they're interesting ...


Upon viewing his portfolio at the link you provided, my first thought was push processing. In push processing, one typically underexposes the shot (that is, meters and set exposure as if the the film were a higher ISO than it really is), then compensate in the darkroom by overdeveloping the film to account for the underexposed shot. Push processing tends to ...


I know this thread is years old, but I had the same issue on a recently acquired second hand EOS M5, and this is how I fixed it. Transpires that on the M5 when you select a drive mode other than single shot the image review is automatically disabled, and the option in the set-up menu becomes greyed out to the setting of OFF as well. Switching back to ...


I've also realized, it won't work if you are in live view mode before pressing menu.

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