I saw a poster advertising a photography exhibition while I was vacationing in Denmark. I snapped a picture of it, because I liked the skin tones of the subjects:

enter image description here

How could one get such a skin tone with their own shots?

Please, don't ask who the artist is. I don't speak Danish and I just took a photo of the poster to ask about it later. I did some googling and it turns out that Svend is the name of the gallery, and I think Fernisering is the name of the show. I don't know which of the artists listed took this photo.

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    Are you looking for digital or darkroom solutions? – steel Jan 10 '18 at 3:28
  • @steel digital, but I'd also be curious to know darkroom solutions too. – user151841 Jan 10 '18 at 5:04
  • If "such a skin tone" means this exact skin tone, I suppose it's possible to get the lighting, development, postprocessing, and printing that contributed to the final image. Otherwise isn't "rich skin tones" too subjective to be answered here? – onacosmicscale Jan 10 '18 at 7:18
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    This looks like a duotone to me – osullic Jan 10 '18 at 7:57

The beautiful skin tones are the result of wide dynamic range of analog photography. Typical digital photo is 256 shades per color. E.g. for black and white there are only 256 shades. In analog photo number of shades is almost infinite.

Duotone is the way for better quality in print. E.g. instead of 256 shades you can get 256*256=65536 shades. With this technique most ink printers use more than one ink color to print grayscale photos. Notice even this digital photo is not purely black and white.

The same effect is observable in movies shot on film vs most digital cameras. They look more natural. A recent quantum dot technology may fix the problem for digital video cameras (see video).


Digital solution: it seems to me by contrast. By making shadows more dark and lighter parts more light, you get more 'distance' between lighter and darker parts. Btw, in this picture white is more yellowish/grey, because it gives a more older look, but the principle is similar.

Of course it is possible this contrast is differently changed for parts of the picture, especially faces etc. are often postprocessed differently.

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