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I am seeking information on just how photojournalists approach shooting an event like a Congressional Hearing. Flash is not used in the committee rooms themselves so I am wondering how they execute their photography: camera settings, ISO's, aperture preferred, shutter speeds, white balance, etc. etc. I have been shooting professionally for nearly 10 years now, mainly corporate/meeting and event photography, but interior shots with the crazy variety of lighting still challenges me (even with a professional flash). Thanks for any comments or assistance.

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There are a number of things a photojournalist can do to improve the appearance of images shot under such lighting conditions.

  • It all starts with evaluating the lighting. If there are mixed light sources in the room that might be problematic, select a shooting position that allows one of the sources to be the dominant one. In the case of such high profile assignments as Congressional hearings, they often position themselves so that the continuous lights used by the video people in the press corp are their main source of illumination. Many facilities used for such meetings have broadcast quality lights built in.
  • Lens selection. Fast zooms or even fast primes are the bread and butter for covering such an event.
  • Intended usage. Most such images are going to be published in fairly low-fi settings. Newsprint is very low quality image reproduction. Web distribution at typical sizes isn't much more demanding. Neither is usage in a news magazine. Photojournalists realize that images can look acceptable in print and online without having to be anywhere near as high quality as a large gallery print.
  • Use the right tools. I know many full-time PJs who are not afraid to push ISO to 6400 and beyond when they need to. The flagship pro bodies are optimized for this. They tend to be lower resolution than other "studio", "landscape", or even "sports" bodies offered by the same manufacturers. The Canon 1D X Mark II is only 20.2 MP compared to the Canon 5DS that is 50+ MP. The Nikon D5 is only 20.8 MP compared to the Nikon D850 that is 45.7 MP. Larger pixel pitch means better light gathering capability and better high ISO/low noise performance.
  • Repetition. It's probably pretty rare for an event like Congressional hearings to be covered by a newbie who has not shot in the same room before. Sure, everyone has to shoot a specific room for the first time at some point, but many of the PJs that cover things in DC have been there for years if not decades covering such meetings on a daily basis. The more often one shoots in the same environment, the more one can refine both their technique and in-camera settings with regard to not only ISO, Tv, and Av but also with respect to contrast, saturation, color temperature and WB correction, etc. (I do it with sports venues I frequent all of the time. I have a little "cheat sheet" in my bag with manual exposure settings as well as CT and WB corrections settings for various venues in which I shoot. If I need to move a jpeg quickly the images look much better than just setting WB to "auto". If I have time to process a raw image all the better - I can review the images with the color already very close and then batch apply Hue/Saturation/Luminance adjustments in addition to the CT/WB settings already applied in camera.)
  • I very much appreciate your taking the time to provide me with the excellent information! Will definitely review and incorporate moving forward with my photography. Don – Don DeFeo Nov 21 '17 at 18:00
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Lighting for Purpose

When designed for purpose:

  • Spaces like those used for congressional hearings, court proceedings, etc. will tend to have better lighting for documentary/journalistic photography than spaces used for events. The lighting design will try to make it easy to read documents anywhere within the space. A good design will provide even and relatively bright diffuse light throughout the space to avoid glare and shadows.

  • Spaces used for events are designed with lighting flexible lighting to create moods. Most of those moods involve dim general lighting. Reading level of illumination is not the general use case and the dimmest practical illumination level will be around the brightest setting of the system.

Analysis

The US Federal General Services Administration has guidelines for lighting Federal buildings. The standard illumination for a courtroom is 45-70 foot-candles (see page 6). This is roughly Exposure Value = 8. At f2.8, ISO 200 + 1/60th would be a reasonable place to start tweaking exposure. Since Congressional Hearings don't usually entail dancing (except around questions) f2.8, ISO 100, 1/30th would probably work for the typical head and shoulders with microphone shot [1]. That's practical for a professional photographer at 200mm with an image stabilized lens (less than four stops).

It probably helps that a photographer at a Congressional hearing isn't as beholden to capturing a critical moment. The published image of the person who asked the adversarial question can be taken while someone else is speaking or while discussing a procedural matter or welcoming the witness. The photographer really only needs one good shot of the story element not a photobook of the good time.

Conclusion

Going out and shooting the local council meeting or zoning board is probably good way to develop the techniques and timing and soft skills necessary to shoot a Congressional hearing or similar event of import.

[1] The lack of action suggests a stock photo would probably be just as good if it weren't for journalistic integrity.

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    As with my comments on the previous response, thanks ever so much for taking the time to provide the information that you did! Very much appreciated for sure! Don – Don DeFeo Nov 21 '17 at 18:01
  • This answer does not address the question at all. "What techniques do photojournalists use..." – Michael C Nov 22 '17 at 0:18
  • "...to shoot without flash". There's nothing special because the conditions are suitable. That's why the generic advice in other answers applies. – user50888 Nov 22 '17 at 0:38

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