This has practical implications as I want to use a 300mm tele for shooting landscapes, where lens speed is not so critical but maximum resolution (and light weight) is. Would I drop twenty times the coin and haul twice the weight for similar resolution if I bought the faster lens?

Let's take this example: let's compare a Canon 300mm 2.8 to a Canon 300mm f4. According to their specs, the f2.8 has 17 elements in 13 groups and weighs about 5 lbs, whereas the f4 has 13 elements in 11 groups and weighs about half as much. The price difference is also very substantial. Does what I'm looking for reside in DxO's MTF data for these lenses? If not, where might I find data that helps me compare resolution as a function of aperture for these two lenses?

  • 3
    \$\begingroup\$ Even if both lenses have their sweet spot at the same aperture, one of them could be better at its worst aperture than the other is at its best setting. Rather than comparing what aperture is the sweet spot of each lens, you should probably consider how each lens performs at the aperture you plan to use it the most. \$\endgroup\$
    – Michael C
    Commented Feb 10, 2017 at 6:48
  • \$\begingroup\$ The f4 probably about weighs half as much because f4 is half the area of f2.8 for any focal length. It's also worth considering what the output medium will be. For a photo.stackexchange contest entry, differences in resolution are probably less critical. And if it's for art, a medium format or large format film camera will probably make more difference in output than which lens on a DSLR. \$\endgroup\$
    – user50888
    Commented Feb 10, 2017 at 18:30
  • \$\begingroup\$ @benrudgers The very narrow angle of view provided by a 300mm lens with 36x24mm or APS-C formats gets increasingly difficult with medium format. That is even more the case with Large format. \$\endgroup\$
    – Michael C
    Commented Feb 10, 2017 at 19:58
  • \$\begingroup\$ @MichaelClark I don't disagree. There's a tendency to treat the DSLR landscape as encompassing the entire set of photographic tradeoffs. Which seemed worth a comment (but not an answer) given that we're dealing with equipment that costs well north of $5000. Anyway, cropping a larger image might be a way of achieving the artistic vision or 300mm may be critical to it. I won't hazard to guess. \$\endgroup\$
    – user50888
    Commented Feb 10, 2017 at 21:09
  • \$\begingroup\$ Anything past 300mm gets difficult with MF and LF. Why shoot it on such large film if one is just going to crop it back down to a 36x24mm square in the center? The diagonal of an 8x10 negative is 325mm compared to the 43mm of the 135mm format. It would take a 2,270mm lens to get the same angle of view with a full 8x10 negative as with a 300mm lens on a 36x24mm FF camera. Even 4x5 would require an 1,135mm focal length. \$\endgroup\$
    – Michael C
    Commented Feb 11, 2017 at 2:51

2 Answers 2


Same manufacturer, two lenses of similar focal length, but one is much faster…does the sweet spot produce the same resolution?

Short answer: Maybe. Maybe not.

It all depends on each individual lens.

The sweet spot of a lens is dependent upon the individual design and execution of the lens.

You could even have two lenses of the same focal length and maximum aperture with different designs and the sweet spot would not necessarily be at the same aperture for both lenses nor would the resolution at one lens' sweet spot necessarily be the same as the other lens' resolution at its sweet spot.

It all depends on the specific lenses in question.

There are a few lenses that are "over designed" and just as sharp wide open as they are any other aperture.
Most lenses are sharpest about two full stops down from wide open.
Some lenses are sharpest in the center at a different aperture than they are sharpest on the edges and in the corners.

It all depends on the specific design of the lens.

The sweet spot of one lens could also be worse than the worst aperture setting of another lens. If one lens costs twenty times the other it quite possibly might be better at every aperture than the cheaper lens is at any aperture.

Rather than comparing what aperture is the sweet spot of each lens, you should probably consider how each lens performs compared to the other lens at the aperture you plan to use it the most.

It all depends on the two individual lenses.

Now that the specific lenses have been revealed we can look at the question in more detail. They are all very good, but there are measurable differences.

The results below are when tested by DxO Labs mounted on the Canon EOS 1D X at each "full stop" aperture setting. The actual "sweet spot" of each lens may be at an intermediate 1/3 stop setting, but it won't be very much different than the nearest whole stop.

The EF 300mm f/4 L IS is sharpest at around f/8 At that aperture it is roughly equal to the EF 300mm f/2.8 L IS used wide open at f/2.8. It is not as sharp as the newer EF 300mm f/2.8 L IS II at f/2.8.

The EF 300mm f/2.8 L IS is sharpest at f/5.6 At f/5.6 it is sharper than the EF 300mm f/4 at f/8 from the center of the frame out to about 60% of the frame on a FF camera (which would be the very edge of the frame on an APS-C crop body). It is about equal to the EF 300mm f/2.8 L IS II set to f/4 at the center of the frame but past about 35% of the frame (35% FF camera - about 60% on an APS-C camera) the resolution begins to drop off a bit.

The EF 300mm f/2.8 L IS II is sharpest at f/4. It is only very slightly less sharp wide open at f/2.8 and at f/5.6. It maintains the level of resolution fairly consistently all the way from the center to the edges at all apertures until diffraction begins to set in around f/8

At f/8 all three lenses are very close in resolution at the center but the EF 300mm f/2.8 L IS II is measurably sharper at the edges of the frame.

At f/5.6 the differences are more pronounced: The two f/2.8 versions are equally sharp in the center of the frame, the two older lenses are about the same on the far edges of the frame. The EF 300mm f/2.8 L IS is somewhere between the other two from about 35% of the frame until just before the edge of a full frame sensor.

When tested on the higher resolution EOS 5Ds R, the EF 300mm f/2.8 L IS II pulls away from the older f/2.8 and the EF 300mm f/4 falls away from both when all lenses are wide open. The resolution numbers for all three lenses are higher with the much higher resolution camera, but the comparisons between each lens at each's respective sharpest aperture holds.

Here are the resolution profiles of the three lenses when measured by DxO on the Canon EOS 5Ds R with each lens set at its sharpest aperture:


When mounted on the smaller APS-C sensored, lower resolution EOS 7D Mark II the newer EF 300mm f/2.8 L IS can't use the edges of the image circle (which are cropped off by the smaller sensor) to pull away from the older EF 300mm f/2.8 L IS. But they are both still measurably sharper than the EF 300mm f/4 L IS.

EOS 7D Mark II

Comparative results for the three lenses on older, lower resolution APS-C bodies are similar. As the resolution of the camera used to test them is lowered the scores for each lens drop but their relative performance remains fairly constant.

The EF 300mm f/4 L IS weighs about 2.63 pounds/1190 grams, was introduced in 1997, and currently runs about $1,350 in the U.S.

The EF 300mm f/2.8 L IS weighs about 5.63 pounds/2550 grams, was introduced in 1999 and was discontinued by Canon upon the introduction of its replacement in 2011. It can be found on the used market for about $2,500-3,000 in the U.S. for a copy in very good to excellent condition.

The EF 300mm f/2.8 L IS II weighs about 5.19 pounds/2350 grams, was introduced in 2011, and currently runs about $6,100 in the U.S.

Only you can decide if the better resolution of the EF 300mm f/2.8 L II is worth enough to offset the 4.5X cost and 2X weight compared to the EF 300mm f/4 L IS.

Please Note - There are older, non-IS versions of the EF 300mm f/4 L and EF 300mm f/2.8 L. These are older lenses with different optical formulae than their newer IS counterparts. The older, non-IS lenses have not been tested by DxO Labs. Testing sites who have tested the older and newer versions show measurable improvement with the newer IS versions over their older counterparts.

Also, don't even think about using the EF 75-300mm f/4-5.6 at 300mm in comparison to the 300mm primes. The EF 70-300mm f/5.6 IS does get pretty close to the EF 300mm f/4 at 300mm and f/8. The EF 70-300mm f/4-5.6 IS was introduced in 2005, weighs 1.4 pounds/630 grams, and can currently be bought new in the U.S. for about $450 ($650 list) as the brand new EF 70-300mm f/4-5.6 IS II ($550 - not yet tested by DxO) has just replaced it in Canon's lineup.

  • \$\begingroup\$ For my purposes, the defining feature is optimum resolution at infinite focus shooting on a very sturdy tripod. Apertures, and consequently lens speed, matters little to me if resolution at the fast lens' sweet spot is the same as the resolution at the slower lens' sweet spot. \$\endgroup\$ Commented Feb 10, 2017 at 15:42
  • 1
    \$\begingroup\$ @KnobScratcher It is quite feasible that the wider lens has higher resolution at every aperture than the much cheaper lens has at any aperture. It all depends on the two lenses in question. Since you have chosen to not reveal which two specific lenses you are comparing, that is the best answer we can give you. \$\endgroup\$
    – Michael C
    Commented Feb 10, 2017 at 15:53
  • \$\begingroup\$ Even if we did know the two specific lenses, we still couldn't tell you whether the additional resolution of the better lens would be worth the difference in price to you. \$\endgroup\$
    – Michael C
    Commented Feb 10, 2017 at 15:57
  • \$\begingroup\$ I have edited my question with added detail to better reflect what I'm asking. Thanks for the replies, as they help me better formulate this question.... \$\endgroup\$ Commented Feb 10, 2017 at 16:43
  • \$\begingroup\$ Awesome answer! And thanks for teasing out the relevant information out of that DxO data. \$\endgroup\$ Commented Feb 10, 2017 at 19:54

No. First, there is no one answer, it depends on the actual lens.

Generally though, optimum sharpness is achieved around 2 stops down from wide-open. Some high end lenses only need one stop, some lower quality ones could be three but it usually about that much.

This means that the maximum aperture really makes a difference as to where maximum sharpness occurs. If you have an F/2 lens, expect F/4 or F/5.6. If you get an F/5.6 lens, then it will be F/8 or even F/11. This also limits slow lenses because diffraction sets at pretty much the same aperture, so an F/5.6 lens which gets sharp at F/11 may only be good until F/13 - depending on pixel size - but that is less than a stop of leeway.

  • \$\begingroup\$ "Generally though, optimum sharpness is achieved around 2 stops down from wide-open.".....So, the implication is that despite identical focal length, a faster lens has elements within that are shaped differently than that of a slow lens. OK, I think I get it. \$\endgroup\$ Commented Feb 10, 2017 at 5:27
  • \$\begingroup\$ I cannot vote for that optimum sharpness is achieved with 2 stops stopping down. Is there substance in that claim? I have seen many objectives which are fine at opened aperture or stopped down 1 stop. The question is not exactly about MAXIMUM resolution because most objectives provide best resolution at about the same F stop depending on crop factor and claiming that it is always 2 stops down is nonsensical. \$\endgroup\$ Commented Feb 11, 2017 at 0:45
  • \$\begingroup\$ Please read the answer again, paragraph 2 says around and that some only need one stop. This is pretty common and also matches to my tests. I do have lenses that are sharpest wide-open or just even 1/2 stop down but, as I said, it really depends. 2 stops down is what we call a rule-of-thumb and is often quoted in the industry. Taking the examples that Micheal Clark set in his answer, 2 out of 3 lenses are at maximum sharpness 2 stops down from wide open. \$\endgroup\$
    – Itai
    Commented Feb 11, 2017 at 2:34

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