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Okay, so a friend of mine asked about photographing his dogs, and I realized that I really don't have much of a clue what are the best ways to photograph pets. I can take a few stabs at it, but I thought I'd ask if you guys have any tips. Some additional information:

  • This friend is married, and they have two dogs.
  • He told me today that the dogs are usually quite camera shy.

Some things that I would like to know include:

  • How can I work with a pet, knowing that their position might not remain constant.
  • Would indoors be better, or outdoors.
  • With or without owners?
  • Any other tips you care to provide, I'd like to hear them all.

Thanks!

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  • \$\begingroup\$ Just to be clear, here's what I've figured out on my own. First of all, get to eye level of the pet as much as possible. I'm sure a somewhat higher f/# would be required than photographing a human, due to longer nose/face ratios, longer bodies, etc. The environment should also be such that if the dog somehow runs away, it's not going to be a problem. Probably a somewhat telephototic lens will help to protect against the shyness of the dogs. Aside from that, well... \$\endgroup\$ Commented Feb 14, 2011 at 0:40
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    \$\begingroup\$ Put strange misspelled captions on the photos... ;) \$\endgroup\$
    – BBischof
    Commented Feb 14, 2011 at 7:59
  • \$\begingroup\$ See also: photo.stackexchange.com/questions/1383/… \$\endgroup\$ Commented Feb 14, 2011 at 22:03
  • \$\begingroup\$ @DJClayworth: I read the question to that before I asked my question, but I started reading some of the answers, and realized that it contains some good stuff. \$\endgroup\$ Commented Feb 14, 2011 at 22:57
  • \$\begingroup\$ For cats: photo.stackexchange.com/questions/17040/… \$\endgroup\$
    – mattdm
    Commented Nov 8, 2011 at 4:29

3 Answers 3

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Here are some things I try to do when I'm photographing dogs:

1. Bring an assistant, toys, and dog treats - I often find that I don't have enough 'hands' to be able to get the dogs attention, direct their looks (as best I can) and also be looking through the viewfinder, composing, and taking the pictures. An assistant can help take some of the jobs off my hands so I can concentrate on getting the best shots possible.

2. Wear 'em out - I generally advise owners to wear their dogs out with a good walk, or whatever their dogs favorite activity is (chase, tug, wrestle, etc.) before the session. This helps the dogs to be more docile during the session.

3. Add some time - Generally I try to give a half-hour before the session actually begins to 'bond' with the dog(s). I want them to get to know me and my voice, the environment where the pictures will be taken, etc. I often will take dogs on a walk (thanks Cesar Milan!). I also let them 'explore' my equipment by showing them everything and letting them get their curiosity out by sniffing it... Once they know the smells and realize that the equipment isn't edible, they often lose all interest in it completely. Keep your lens caps on unless you want doggy nose smudges on your lenses, though! I find this can really help dogs to relax and can make them less curious about every little piece of equipment as I fiddle with things during the session.

4. Careful with Strobes - If I can, I try to avoid strobes as the whine of them recharging can really cause problems. If I am forced to use strobes I do try to fire the strobe(s) a bunch of times in the dogs presence before the session begins in order to help them get used to the strange noise...

5. Bring leashes! - If the pets are really fidgety it can help get them into position. You can then edit leashes out in post... Or not. Usually I don't bother because people generally don't mind having their pets on leashes in pictures.

6. Use a long zoom lens - I usually shoot these sessions with my 70-200mm lens from relatively far away and cranked in to between 135mm and 200mm. This gives me the chance to get relatively nice bokeh without necessarily having to open up the aperture up all the way.

7. Try to take the pictures in an environment where you've got a a lot of depth behind the dog(s)/subjects - I'll often do these sorts of shoots at parks, or in a backyard because having a lot of depth behind the subject allows from more possibility for a nice bokeh without having to crank the aperture open so far that you end up with lots of out-of-focus shots because the dogs are wiggly.

8. Invite the owners... Maybe - For dogs especially they often are more in tune to their owners voices, know their owners commands, know their owners expectations, etc. This can be of great benefit as long as the owners understand that their job isn't to yell commands at the dog ('Look over here, Fluffy. Fluffy! FLUFFY! LOOK HERE! HERE, HERE BOY, HERE!!!') These sorts of histrionics can often serve to either make a nervous dog even more nervous, or an excited dog simply uncontrollable. If an owner is simply unable to control themselves and speak to their dog with a normal tone of voice throughout the session I will generally ask that they 'give us a few minutes' to take some pictures without them around. The vast majority of the time these turn out to be the best pictures of a given session.

While 95% of the pets that I've ever photographed have been either a dog, a cat, or a horse, on occasion I will get asked to photograph other types of pets. In terms of other 'higher order' pets (horses, cats, etc.) with the possible exception of item 2, all of these tips will apply more-or-less as-is. For smaller pets (ferrets, rats, hamsters, turtles, snakes, etc.) no amount of preparation will help, so items 2, 3, 4, and 8 generally will apply less (or not at all), and for the most part you will be taking pictures of smaller animals with their owners, so the shoots become less about the animal and more about a standard portrait session with the owner holding their pet.

As an aside, most of these also work great when photographing kids. Except for maybe the leash thing... On the other hand... ;-)

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    \$\begingroup\$ Leashes work well on kids too! \$\endgroup\$
    – rfusca
    Commented Feb 14, 2011 at 3:29
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    \$\begingroup\$ ... and owners. \$\endgroup\$
    – fmark
    Commented Feb 14, 2011 at 8:48
  • \$\begingroup\$ Great set list ! Don't forget the point of view. I think it's very important. \$\endgroup\$ Commented Feb 14, 2011 at 13:19
  • \$\begingroup\$ forgot maybe the most important thing (when shooting any animal): patience. Expect to spend hours waiting for the right opportunity. \$\endgroup\$
    – jwenting
    Commented Nov 8, 2011 at 6:50
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Be at the same height of the subject. Crawl or put it on a table or something. It make a use difference. Also, shoot a lot. They moves and you might get something you didn't expect, like an opened mouth..

Be patient, feed them and enjoy !

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    \$\begingroup\$ This can be frustrating with some dogs, which see you squatting as an opportunity to come sniff your camera. Depth of field: gone. \$\endgroup\$
    – Evan Krall
    Commented Feb 14, 2011 at 3:43
  • \$\begingroup\$ True. But it give so much meaning to the personality. In my opinion, the point of view have a huge effect on how you see a subject. \$\endgroup\$ Commented Feb 14, 2011 at 20:23
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In addition to the tips you've listed in comments:

  • Have the owners with the dogs. Dogs are pack animals, and they may be well adjusted but they might not be. My dog is people friendly, but behaves much better when I'm around

    • For dogs, have the owners exercise them quite a bet before the shoot. The closer to being tired, the less active the dog will be, so it will be easier to shoot. As soon as I get down to dog's level, the dog instinctively comes up to me. If it's tired, it will be lest likely.
  • Have the owner withold giving the dog water before the shoot. That will make the dog pant, and more likely to have a smile on its face.

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