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I am looking for the linear maximum aperture of a 35-200mm 3.5/4.5 Nikon manual focus lens. I already know the max & min of the 35 & 200mm it's the 50, 70,105, & 135 that I am interested in. I'm not looking for the answer per se but the formula. I have a 35-105 and I did the calculation for it , but now I can't remember how I did it.

What is the formula to find the widest f-stop for each of these focal lengths?

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  • \$\begingroup\$ I honestly can't work out what you're asking here. "Linear focal length" isn't a term I recognise. Could you try and explain a little more? I'm also confused by your question about f-stops - aperture is mostly unrelated to focal length. \$\endgroup\$
    – Philip Kendall
    Apr 18, 2015 at 20:45
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    \$\begingroup\$ Sounds like, assuming 35mm focal length is f/3.5 and at 200mm it's f/4.5, how to calculate the effective aperture at intermediate focal lengths? \$\endgroup\$
    – MikeW
    Apr 18, 2015 at 22:59
  • \$\begingroup\$ @PhilipKendall entrance pupil (effective aperture) is directly related to focal length since the f-number is computed by dividing the focal length by the diameter of the entrance pupil (effective aperture). \$\endgroup\$
    – Michael C
    Apr 19, 2015 at 2:30
  • \$\begingroup\$ No formula (I cannot imagine that it is linear), but just set maximum aperture, and zoom to each focal length, and simply look in the viewfinder at the aperture that it reports it is. \$\endgroup\$
    – WayneF
    Aug 28, 2015 at 21:57

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The focal length of a modern zoom lens isn't something that is nice and easy to work with a lens equation to get the answer.

From hyperphysics on the true zoom telephoto lens, the lens can be thought of as a few different elements:

Lens design

The problem is, these elements keep moving around:

simplified how things move

which makes the entire system a bit more complex to calculate for. You might be able to sit down with the lens diagram for one lens, and work it out, but a general solution beyond the pure math isn't easy at all.

Pierre Toscani has a wonderful site (mostly in french, but there are many translated to English) that goes more into the specifics for specific Nikon lenses: http://www.pierretoscani.com/annexeGB.html

The diagram from hyper physics applied to the Nikon 80-200 f/2.8 as animated: http://www.pierretoscani.com/images/echo_telezooms_english/Figure-12.swf

Even different designs of the same lens introduce changes as seen with the 80-200 ff/2.8 to 70-200 VR f/2.8:

80-200 vs 70-200

Specifically looking at the information about the pupil and aperture (and this is yet to be translated), figure 28 for a macro lens (animation - "N" is the f/stop).

I'm going to point out that all of the examples are with a constant aperture zoom. When you go to a variable aperture zoom, the design trade offs make to make it a simpler lens to produce (less glass) make the specifics of what the f/stop for any given focal length and focus distance is a non-trivial equation.

For example, for a Canon 70-300 f/4-5.6 from Outdoor Photography on Variable Aperture Lenses:

enter image description hereenter image description here

The fixed aperture zooms (70-200 f/2.8) have a fixed aperture in more ways than one. They both stay at the f/stop you selected, and the aperture actually is fixed in the location of the barrel of the lens. This isn't so with variable aperture zooms.

enter image description here

Note that in this chart, there is no rhyme or reason as to how an individual lens will change its f/stop in accordance with its focal length.

That the diaphragm moves as the zoom changes makes this non-trivial. Without close study of exactly how the lens is designed and what movements it has in its barrel, this is likely best done experimentally rather than mathematically.

Page three of Get The Most Out Of Variable Aperture Lenses describes this process in the section "Testing Variable Apertures". It boils down to:

  • Dial in the widest aperture
  • Slowly zoom from widest to longest
  • As it switches from one f/stop to another, make note of that
  • Plot it

The other approach is to set the camera to manual exposure (aperture, f/stop, and ISO) and then shoot a gray card. When you are done, reading the values back from the images should give you the information about the actual exposure the camera and lens system were providing from which you could determine the ratio of the aperture at any given focal length to the original aperture (wide open at widest).

That said, if you can hunt up the specific information for a lens, you may be able to find the information given for you. Lens designs can be patented. The Nikon 70-300 f/4.5-5.6 is covered under patent 7,158,315. And much of that information is boring... but as you dig through it, there is a table of lens specifications.

Table 4
[Specifications]
                     f=             71.40        135.00        294.00
                     FNO =           4.64          4.85          5.88
                     2ω =           34.46°        17.55°         8.20°

Going back to Pierre's site this is covered in his article Focal Length and Magnification

And while they don't give all the data for all the focal lengths, it puts you on the right path for the remaining calculations. Not all lens manufacturers give as detailed information in their patents though.

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  • \$\begingroup\$ Excellent answer - I wish I could give it more upvotes! \$\endgroup\$ Apr 19, 2015 at 15:27

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