What settings do I need to use for interior shots so the lights don't look flared/streaky?
See example below:
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A halo like the ones on the image is always caused by subtle divergence of light coming from a source. Possible remedies:
Try the last advice first, and go upwards the list :-).
And the last idea is a separate one: maybe the Active lighting on your camera is on super hard and that tries to keep all the detail in very dark and very light parts of your photo. Try to change that to a more conservative setting.
Start by cleaning the lens. A dirty lens may cause this, however it is also possible it is simply a property of your lens. If you can't get rid of it, either use a better lens or work around it by taking photos that don't have the lights directly in them.
As it is a radial effect, I'd say take off any filters.
The first impression is that you have a temperature difference like getting the cold camera from outside into the warm room or vice versa.
I have a question. What is the subject of your image? If it's the kitchen view, I'd suggest a different approach with your camera and the light issues. Get them out of the image altogether.
Change perspective and angle
Raise up you camera high off the ground and angle the lens down to the kitchen area of your "subject." Lights are distracting to the image. They draw the viewers eye away from the real subject. I'm sure they aren't the main focus of your image. The viewer doesn't need to see the lights to know they are present.
By the way...
Control the light coming through the windows
Another good idea in this type of industrial / commercial image is to control the outdoor light value coming through the windows. With this technique you can add or subtract the outdoor scenery if you want to eliminate distractions to the image.
You can balance the light value from the indoor and outdoor lights separately. Here is how.
The shutter will control the ambient light value to the film. The aperture (f-stop) will control a flash (strobe) or studio lights and control indoor light hitting the film.
Control the viewer's eyes
If you like you can focus your viewers eye to one main area of the kitchen with camera angle and aperture choice. I like to call it selective focus. It makes the image even stronger as you control "the area" of the kitchen the viewer will "rest" in.
To prop or not to prop
If you like, you can add a prop of some kind on the counter top. A daily newspaper with cup of coffee, a women's handbag and keys or a bowl of fruit etc. It can add a focal point.