5
\$\begingroup\$

I was looking into the new Nikon D600, which looks like a pretty compelling camera. I however noticed that its 39 AF points though quite a lot are all bunched up in the middle. I am used to having AF points more spaced out, usually because I tend to use the Rule of Thirds quite a bit in my compositions. I haven't had the chance to see the camera out in person yet.

So, focusing on that one aspect only can someone with experience advice me how much of a nuisance that would be?

\$\endgroup\$
1

2 Answers 2

5
\$\begingroup\$

Yes.

The phase-detect auto focus is based on comparing light rays reaching the focus sensor from two facing sides. The smaller the maximum aperture, the higher the chance that light reaches a peripheral focus sensor only from one side. Thus, dead center of image is the sweet spot for an auto-focusing sensor to be as it will receive enough light from two sides in the biggest range of apertures. Finally (somewhere around f/6.3...f/9), though, the directions will be so subtly different that focus cannot be determined even in the center.

To conclude, being bunched in the center is good because more AF sensors will work with a wider range of max apertures. For people that compare cameras by numbers (x AF sensors work at aperture f/y), and/or plan to use slow lenses (or fast lenses with tele-converters), this looks good. You'll also appreciate the higher sensitivity and smaller gaps between focus points when tracking fast-moving objects; in order to avoid accidentally cropping them, it's a good idea to keep them near the center of frame anyway.

But it also means that phase-detect AF by points further away is not possible, so you are forced to choose a workaround, all of which have some kind of downside:

  • place the subject nearer to center, possibly resulting in weaker composition;
  • use the "focus and recompose" technique, and either accept the ever-present focus error caused by recomposing, or make your best guess to compensate manually;
  • use contrast-based focusing in Live View, which is very accurate, but just plain slower and forces you to give up stabilizing the camera by holding it against your face;
  • shoot wider than necessary and crop in post-production into desired framing, losing some resolution;
  • use that big full-frame sensor in DX crop mode, effectively cropping peripheral areas not covered by AF sensor, losing roughly half of pixels.

With a slow lens or shooting stopped down, the second option (recomposing and ignoring) is usually pretty much okay. For moving subjects, you'll have some extra focusing inaccuracy caused by subject moving away from metered location while you're recomposing. Laying out cash for a full-frame camera, you might be intending to use some fast lenses to get that oh so thin depth of field, and that's where you would notice the focus being slightly off after recomposing; so in this case, having the AF sensors flocked up in the middle is bad.

Note that designing an AF system with widely spread focus sensors has been rather easy for APS-C DSLRs, since the all crop DSLRs so far use flange distance and rear element diameter dictated by lens mounts originally designed for a larger format (the full frame). Full-frame cameras don't have such extra room to spare, and getting light from the edge of lens is more complicated.

\$\endgroup\$
2
  • \$\begingroup\$ When comparing a full frame and APS-C camera using the same or similar AF chip, the APS-C camera will appear to have the AF points more spread out. When using FF lenses there is no penalty for this spread (with regards to accuracy and slow lenses) so you can't universally say AF points bunched in the centre is better. \$\endgroup\$
    – Matt Grum
    Commented Oct 23, 2012 at 11:55
  • \$\begingroup\$ @MattGrum thanks, your comment gave me several good ideas, edited. The same can be used in reverse, to "spread" the AF points on full frame by cropping. \$\endgroup\$
    – Imre
    Commented Oct 23, 2012 at 12:33
3
\$\begingroup\$

I think this could be one of those, it comes down to personal taste answers. Myself, I only use 1 central point of focus. This is quite an old school way of focusing and framing subjects but I like to have full control on what I'm focusing on. It's a different way of shooting. (but to iterate, I half press to focus on my subject then while half pressed I frame the shot, 90% of the time this is my style. Of course there are times where you need to shoot fast. In this situation i would switch to all, but rarely. )

Having this many focus points bunched into the middle can add more accuracy when shooting a moving subject, such as runners, Formala 1 cars. It can also provide absolute accuracy for when photographing portraits, the eyes, nose and mouth could be placed into focus with great accuracy.

So that said, with photography there's a right tool for every job. Having focus points so close together can be highly accurate, but if it doesn't suit your style or the subject matter, it's worth looking at alternatives. Even some Hasselblad's use central point focusing, but then it follows the subject when framing. Clever but if Hasselblad insist on using it, there's probably good reason for it.

\$\endgroup\$
4
  • \$\begingroup\$ The recomposing in "focus and recompose" method causes the focusing distance to be always slightly wrong, this becomes significant by recomposing further away from focusing position and/or dealing with thinner depth of field. \$\endgroup\$
    – Imre
    Commented Oct 23, 2012 at 10:42
  • \$\begingroup\$ A fair argument but that would only be relevant on shooting still life, or simular, for example. There are many techniques to adopt for the right situation. The difference in focus would be slight, but certainly worth bearing this in mind when seeking absolute focus on your subject. Thanks for bringing the point in though. \$\endgroup\$
    – zilj
    Commented Oct 23, 2012 at 10:48
  • \$\begingroup\$ Why would the recomposing error be only relevant to shooting still life? \$\endgroup\$
    – Imre
    Commented Oct 23, 2012 at 13:10
  • \$\begingroup\$ I didn't say "only still life", I used it as an example for stationary objects/people. As I said before, it was a valid point. Many photographers choose the central point focus style and as long as they are aware of the slight focus issue it's purely up to them. If you want the absolute best focus you can get then that method is not ideal. Each to their own. \$\endgroup\$
    – zilj
    Commented Oct 23, 2012 at 14:27

Your Answer

By clicking “Post Your Answer”, you agree to our terms of service and acknowledge you have read our privacy policy.

Not the answer you're looking for? Browse other questions tagged or ask your own question.