My question is not about "how to focus in the low light" or "how to focus a camera". The question is why the camera is unable to auto-focus in low light with high f numbers?

In these conditions, I can see and differentiate the objects through viewfinder so how come the camera can't do the same even at the higher ISOs? What fails in the auto-focus mechanism of camera in these conditions?

Further information: The camera is Canon 600D. Highest ISO tried was 12800. The scene was an outside view from my window in evening. I tried many times but each time the camera failed to auto-focus at higher f number. I tried even the highest ISO as mentioned but to no avail.


2 Answers 2


There is a very specific reason why cameras cannot focus beyond f/5.6 most of the time (or f/8 on top end professional grade cameras). It should be noted that the camera's image sensor, which is what ISO affects, does not handle AF in a DSLR-type camera like the 600D. A dedicated AF unit with its own special sensor that is housed underneath the half-silvered reflex mirror is actually responsible for handling autofocus.

The first issue is comparing your eyesight to the AF sensor (or even the image sensor) in a camera. The human eye is a truly amazing biological device. As an imaging device, while in terms of resolution it may be somewhat mediocre by digital sensor standards of today, in every other respect it is vastly superior to anything manmade. Our eyesight is truly dynamic, and adapts very quickly to relatively small changes in light...such as when you put the viewfinder of a DSLR up to your eye. The light-sensing mechanics of your eye and brain immediately react to the drop in luminence, widen the pupil (iris), increase the sensitivity of the cones and rods in your retina, and probably adjusts how your brain perceives the dimmer light as well. That all happens in a the blink of an eye.

In contrast, digital sensors are not really dynamic in that sense. The image sensor on your camera has a fixed range of luminence that it can record, anywhere from zero to its maximum saturation point...called its dynamic range. That range does not change, however you can record images of any contrast range so long as they fall within the fixed dynamic range of the sensor. (The human eye has both a dynamic adaptation to light as well as a non-fixed range of sensitivity to luminance...in normal daylight for example, the human eye cannot generally see deep into shadows...however if you actually move to the shadows and stay there for a while, your eyes will adjust to the dimmer light over time and the sensitivity range of your eyes will be different than when you are in daylight.)

The AF unit of a DSLR is also a digital sensor...and therefor it is bound by the same general rules as a normal image sensor. Unlike an imaging sensor, however, AF sensors do not have the ability to amplify according to ISO and therefor compensate for a narrower aperture...they work on a fixed sensitivity, and thus have to work with less and less light the narrower the aperture. AF sensors are designed to be highly sensitive, as the AF unit the sensor resides in is responsible for splitting the very little light that is directed down toward the AF unit (which is a fairly small fraction of all the light coming down the lens in general...barely 60% of half the total light at most, as half is reflected up into the viewfinder, and the AF unit mirror under the main reflex mirror is usually around 40-60% the size of the main reflex mirror). A special lens above the AF sensor is responsible for further splitting light...into as many AF points as your camera has (9, in the case of the 600D), and each of those bundles of light are split onece more to support phase-shift detection AF. The AF sensor itself is composed of split rows of CMOS "pixels", each row of which senses light from one of the 18 split beams of light projected by the AF units special lens. By now, it should be readily apparent how little light an AF sensor must work with.

This limitation generally does not affect normal every-day DSLR use with Canon cameras like the 600D. Canon cameras perform AF while the lens is wide open (at maximum aperture). So long as your lens is an f/5.6 lens or faster, AF should work regardless of what aperture you have actually selected. You could select f/22, and the camera would perform AF before stopping the aperture down and opening the shutter to expose a photograph. The only time the sensitivity limitations of an AF sensor would be a problem is when you are working with an aperture smaller than f/5.6 (usually, f/8). This can occur when you attach a teleconverter, either 1.4x or 2x, to a lens that does not have a wide enough starting aperture. You can attach a 1.4x TC to an f/4 lens and still AF, but not an f/5.6 or slower lens. You can attach a 2x TC to an f/2.8 lens and still AF, but not to an f/3.5 or slower lens. If you are lucky enough to be using one of Canon's 1-series bodies (including the 1D X with the current firmware version as well as other models such as the 5D Mark III, 7D Mark II, etc.), you will have the ability to AF at f/8 with at least the center AF point, however even that has its limitations...AF tends to be fairly slow to ensure accuracy with such little light.

Because AF sensors have to work with such low light, this also limits their capabilities in diminishing light. If you are taking a photograph that requires ISO 12800 on a 600D, then there is VERY little light to work with...probably too little for the AF sensor to do what it needs to do on common lenses. If your using the most common kit lens that came with the camera, your maximum aperture range is f/3.5 at 18mm and f/5.6 at 55mm. Neither of those apertures are wide enough to allow AF in very low light. You would need to use at least an f/2.8 lens, but probably an f/1.8 or f/1.4 lens to really get decent AF performance in light so low that you needed to use ISO 12800. Canon makes several 50mm lenses with very wide apertures. There are also several professional-grade zoom lenses that have f/2.8 maximum apertures. You would need one of those lenses to AF in the dark.

  • \$\begingroup\$ Thank you very much for such a great and detailed answer! I learned a lot about what is an auto-focusing mechanism and how it behaves under various conditions. \$\endgroup\$ Commented Aug 2, 2012 at 12:24
  • \$\begingroup\$ Doesn't it follow from this answer (lack of adjustable ISO, and getting little light to begin with) that phase-detect autofocus mis-focuses more often than contrast-detect under low-light? That was certainly my experience when I borrowed a friend's Nikon D5300 -- it resulted in more blurry photos than on my Sony NEX-5R in contrast-only mode. \$\endgroup\$ Commented Jun 7, 2014 at 8:53
  • \$\begingroup\$ Contrast-only mode, which depends on some kind of live view (which may not be an option), may work better, if you have the kind of time required for contrast detection to actually work. CDAF takes time, it requires the camera to literally hunt back and forth for focus. That works great for still subjects...for moving ones, PDAF is the only real option. \$\endgroup\$
    – jrista
    Commented Jun 8, 2014 at 17:17
  • \$\begingroup\$ I'm talking only about still subjects. Thinking a little more about this, my Sony NEX-5R mis-focuses less often when in hybrid-focus mode than in contrast-only focus detection mode (depending on the lens used). So it seems that hybrid > contrast > phase (where > means mis-focuses less often). Hybrid autofocus in theory should combine the best of both contrast- and phase- detect autofocus, and it's good to see that that indeed is the case, unless I've made a mistake somewhere in this reasoning. \$\endgroup\$ Commented Jun 10, 2014 at 7:12
  • 1
    \$\begingroup\$ Don't make the mistake of assuming the performance of your NEX is indicative of all cameras and all brands. I use a Canon 5D III with the EF 600mm f/4 L II lens. I never missfocus, focusing in BLAZING fast, and it's DEAD ON every time. Canon's current 61pt PDAF sensors are top of the line, with very high precision and accuracy, with an extremely low miss rate. Mirror-slapping DSLRs are highly refined devices, and PDAF is not a handicapped mode of AF operation...when done right, it's simply the best way to do AF these days. \$\endgroup\$
    – jrista
    Commented Jun 10, 2014 at 7:32

First, the F stop doesn't do anything until you click the shutter release (or DoF preview button). While looking through the viewfinder the aperture is wide open regardless of what your F stop is.

Second, the ISO is applied in the sensor and until your shutter release button is pressed (or mirror lockup engaged) there is a mirror in the way that lets you see through the viewfinder.

Third, AF needs contrast to determine what is in focus and what isn't. The amount of light indirectly contributes to this as more light will allow for more detail (to a point). Take a picture of a brightly lit piece of paper or a white wall sometime and see how confused your AF gets. Regardless of how much light there is the AF needs to be able to distinguish where one thing ends and another begins and this is difficult in low light, but aperture and ISO have nothing to do with it because they're applied after the shutter is opened.

Also, high F number (like F/11 or F/22) means small hole, less light. A low f number (F/1.8, F/4) means bigger hole, more light. Still doesn't affect AF though.

  • \$\begingroup\$ Not to be pedantic, but F/22 is a small number, and F/1.8 is a larger number, as they represent 1/22 and 1/1.8 respectively. \$\endgroup\$
    – user3739
    Commented Aug 1, 2012 at 22:59
  • \$\begingroup\$ I hate how easily this becomes ambiguous. I did some looking around at some fairly respectable sources and found it used both ways. /shrug. \$\endgroup\$
    – tenmiles
    Commented Aug 1, 2012 at 23:39
  • \$\begingroup\$ I wouldn't have crossed out that last paragraph. I'm not saying it affects AF, which was your point. At worst you needed to change high->low and low->high! \$\endgroup\$
    – user3739
    Commented Aug 1, 2012 at 23:52
  • \$\begingroup\$ When someone does not know the background of the f-number, but fiddles with it in their camera anyway, F22 is a high number and f1.8 a low number, that is, it is a natural confusion, accentuated by the fact most cameras, tutorials, manuals, etc. omit the "1/__". I thought your last sentence was written as to compensate for such confusion, I wouldn't have crossed it either. \$\endgroup\$
    – Jahaziel
    Commented Aug 2, 2012 at 0:41
  • \$\begingroup\$ In my question, I meant high number in the format of Fx (x is number) and not F1/x as people seem to use Fx format more than F1/x format. Sorry for the confusion! \$\endgroup\$ Commented Aug 2, 2012 at 1:04

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