How can I determine the minimum shutter speed at which I can effectively avoid camera shake while hand-holding the camera?


5 Answers 5


General Rule

The general rule of thumb for 35mm (full frame) has been the reciprocal of the focal length.

This means that for a 50mm lens, the minimum shutter speed when hand-holding is 1/50 sec.

1/(focal length) = 1/50

Since this is usually not an option, 1/60 sec is the next option.

Since the move to digital and multiple sensor sizes, the generally agreed upon rule is that the effective focal length is the number to keep in mind.

So, on a APS-C cropped sensor, a 50mm lens would need a 1/(50 * 1.6) = 1/80 sec.

On a longer telephoto, say a 300mm on a full-frame (35mm) you would need 1/300 sec.

Image stabilization

Camera (and lens) makers are now adding image-stabilization to their lenses, which lowers the shutter speed needed. Generally the makers will rate the level of stabilization in stops. Keep in mind these ratings are used for marketing and may be a bit inflated, but I am going to do my calculations based on the numbers being correct to keep it simple.

If you are using a 100mm lens with a 2 stop image stabilization system on a APS-C cropped sensor then:

 (1/(effective focal length)) * (2 ^ image-stabilization-stops)

 (1/(100*1.6)) * (2^2)

 (1/160)*4 = 1/40 sec

You can determine the minimum shutter speed to avoid camera shake by
1) applying the following approximate rules of thumb. (See Wikipedia article - rule of thumb)
2) or carrying out careful measurements, as I did.

1) The rules of thumb

a) With NO image stabilisation
The approximate rules of thumb are:
Full frame cameras : min shutter speed = 1/focal_length
APS-C cameras : min shutter speed = 1/(focal_length*1.6)

Note that these are approximate rules and are heavily dependent on photographer technique, which is why they are called rules of thumb (my thumb and your thumb are not the same).

b) With image stabilisation.
Here the rule of thumb is to take the above calculation and increase the above shutter speeds by either two or three stops, depending on your confidence in the manufacturer.

2) Measured results

By conducting more than 1000 measurements under carefully controlled conditions I arrived at the following results. The fully documented study can be found on scribd.com:
A Study of the Effectiveness of Shake Reduction in the Pentax K7

The graph below shows the main result of this study. With a 50mm lens motion blur was kept below one pixel down to a shutter speed of 1/8 sec, which is more than acceptable.
This is effectively equivalent to the following rule (for the Pentax K7):

min shutter speed = 1/(focal_length*1.6) - 3 stops.

A Study of the Effectiveness of Shake Reduction in the Pentax K7

However at shutter speed below about 1/30 sec the result are critically dependent on photographer technique. The graph below shows how variability of the results increases rapidly at lower shutter speeds, which illustrates the importance of photographer technique.

Variability of motion blur vs shutter speed

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    \$\begingroup\$ +1 for contributing to the campaign to add more good answers to old questions. :) \$\endgroup\$
    – mattdm
    Commented Apr 1, 2011 at 17:13

Okay, mine is not a technical answer, but I think it has some merit that the technical answers lack: empiricism. Try using different speeds and see what you can hand-hold.

For each lens (and zoom setting, if applicable), handhold the camera while on shutter priority,and see what the slowest shutter speed YOU can use is without shaking the camera. Different people have hands that shake to different degrees.

By the way, I would check out whether or not it is blurry on a monitor, not on the camera LCD. You just can't see clearly enough to be sure whether there is blur on the LCD (unless you have a much better quality LCD screen than I've seen.

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    \$\begingroup\$ Most cameras allow you to magnify the image you're viewing, so it's usually possible to check for pixel-level blur even without a computer. \$\endgroup\$
    – che
    Commented Jul 31, 2010 at 6:06
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    \$\begingroup\$ well said, Rabbi. And it doesn't just depend on the person, but the photographer's health, state of mind, physical comfort, environmental conditions, etc. I've shot in a force 10 winter gale at times, being battered by 120kmh winds is a good way to be unstable (with or without tripod) even if you're shielded from the worst of the winds by things like buildings. \$\endgroup\$
    – jwenting
    Commented Dec 14, 2011 at 7:16

A couple of answers have already mentioned the 1/FL rule of thumb. Keep in mind, however, that this is only a rule of thumb, not an iron-clad law. Depending on how steady you are, you may find that you can (or must) adjust it.

Good technique is critical here. The same techniques used by target rifle shooters work nicely. First, get the steadiest stance you can: prone is best, kneeling second best, standing up your last choice. If you have to shoot standing, put your left hand directly under the lens and brace your elbow against your chest if possible (especially important with longer/heavier lenses). Take a fairly deep breath, then let it about halfway out before you squeeze the shutter release.


The general rule is 1/EFL (equivalent 35mm focal length) without IS.

That means if you're on an APS-C, 1/(FL * 1.5~1.6).

The improvement IS gives is given in stops. One stop is applying a power of two, so, the final calculation is:


Everyone shakes different amounts, and even interacts differently with each IS systems.

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    \$\begingroup\$ Narrowing the field of view is magnifying the final image. It doesn't matter where the step occurs. Think about a P&S with 6mm lens. \$\endgroup\$
    – eruditass
    Commented Jul 30, 2010 at 19:30
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    \$\begingroup\$ The object on the APS-C shot will be larger relative to the overal frame due to the sensor-cropping, regardless of pixel densities and photosite size. If you print them both to a 8x12, an object will be larger on the APS-C shot. \$\endgroup\$
    – eruditass
    Commented Jul 30, 2010 at 19:38
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    \$\begingroup\$ If you crop an image, you are increasing the magnification as you are zooming in on the image. The shake-induced blur will be magnified as well and the guideline, which is based on not cropping, applies less. The APS-C and cropped FF will look the same. Of course, as you crop, it will typically be obscured by pixel size, as larger format cameras tend to have lower pixel densities. \$\endgroup\$
    – eruditass
    Commented Jul 30, 2010 at 19:59
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    \$\begingroup\$ @John: I believe you are thinking in terms of raw pixels and numbers, but we are projecting all of the pixels onto a common image physical image size in inches. \$\endgroup\$
    – eruditass
    Commented Jul 30, 2010 at 22:36
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    \$\begingroup\$ The 1/focal length guide is an ESTIMATE! I can hand hold a little below the 1/FL rule on my crop sensor camera. So, for anyone who's confused by the crop sensor part, I'd say just ignore it. If you have a 200mm lens, start with the assumption that 1/200 is as slow as you should go. 100mm lens = 1/100. And anything less than 1/60 is usually not handholdable. Then experiment on your own and find out what works (reliably) for YOU; some people are more steady than others and as you learn better holding techniques you'll find you handhold at lower speeds than even the 1/FL rule on a crop camera. \$\endgroup\$ Commented Jul 31, 2010 at 5:07

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