Because the 35mm film camera has been around for about 100 years and because it has been popular for 2/3 of that time, many photographers are highly familiar with how it performs. Thus, it has become the benchmark.
Comparisons need to be made as an aid to help photographers choose lenses for diverse formats that deliver the same angle of view as the venerable 35mm.
Suppose you are familiar with the action of a 50mm lens mounted on a 35mm camera. Suppose you switch and use an APS-C camera. What lens on an APS-C matches the 50mm on a 35mm?
Crop factor to the rescue. We find out the diagonal measure of both frame sizes and divide to find the crop factor. The 35mm frame diagonal is 43mm. The APS-C frame diagonal is 28mm. We divide and find the crop factor is 1.5. This tells me that the 35mm fame is 1.5 X larger or conversely 1/1.5 = 0.66 or 66% of the 35mm frame.
OK a 50mm lens equates to 50 ÷ 1.5 = about 35mm.
In other words, a 50mm on a 35mm camera and a 35mm on an APS-C deliver about the same angle of view.
As to lens placement: Every lens has two cardinal points. We measure distance to film or sensor from the rear nodal. We measure subject distance from the front nodal. Their locations are not generally published. Lens makers can shift these points around quite a bit. A telephoto lens can be very long and thus unwieldy, Often, the rear nodal is shifted forward, this shortens the barrel length. Conversely a wide-angle lens has a short focal length, and this can be a problem as the lens placement is too close to the camera body to accommodate mirror swing and the like. The wide-angle frequently has its rear nodal shifted to allow the lens placement to be more forward.