I wonder whether using a compact, bright, fixed focal lens instead of a large zoom lens will yield comparable results in terms of light gathering ability and resolution.

I am not interested in negligible lens distortion aspects, and consider perspective to be only determined by subject distance.

Given that nowadays:

  • Sensor resolution on enthusiast cameras readily exceeds the requirements of most users;
  • The more common and less expensive type of zooms - variable aperture lenses - let in decreasing amounts of light when zooming (i.e. increasing focal length), just like cropping;

Could I compensate for the lack of zoom lens simply by cropping? Will I get similar results, and if not, what is the difference?

Note that this question is similar to this thread, but more focused, and that I have already given some thought about it so that I prepared my own answer. I will accept the best answer in two weeks.


3 Answers 3


Short answer

Bright, sharp primes, when paired with high-resolution sensors, can be a viable alternative to slower, variable aperture zoom lenses and enable effective zooming. Constant aperture lenses, if you can afford the price and bulk, are the better choice. The exact impact on resolution and light capture will depend on the exact lenses being compared.

Long answer

I did a fair bit of research about this for a camera purchase, and I thought I could share it with the community.

How well cropping compares with the performance of a zoom lens depends on the zoom lens (of course). It is quite obvious that constant aperture zooms will be better than cropping because they maintain the same light quantity even when zoomed-in. But I wondered: how much better are variable aperture lenses for capturing light, compared to cropping?

When we take central crops from a photo, we reduce the angle of view (i.e. we zoom). However, by cropping, we also effectively reduce the amount of light that makes up our image (see equivalence). The light loss that happens with cropping is quite predictable: there is a linear decrease with resolution.

Thus, cropping results in an image that is lower in resolution but otherwise equivalent to a natively zoomed image with a higher F-number. For instance, a reduction in image size of 50% would equate a loss of 1 EV (a halving of the light quantity) and therefore be equivalent to a loss of 1 aperture stop. I verified that by comparing the crops from an image at 35 mm equiv. F2.3 with the calculated equivalent images taken at 50 mm F3.2 and 75 mm F 4.5.

They are very similar, and I share them together with the code and files I used for calculating everything in R here.

Concrete examples

Note that here we assume that we have sharp lenses that are capable of resolving the camera's sensor. Also, zooms can lose some sharpness at the tele end.

Zoom against its own at wide end

Here you can see how the Panasonic LX100 at the wide end compares against its own zoom, and against the Panasonic Leica 10-25mm F1.7: LX100 zoom vs. cropped at wide end numbers show cropped image resolution, relative to native resolution

Note that the Y scale shows regular increments in aperture value, expressed with the more common, but less intuitive F number. Interestingly, the focal length grows increasingly rapidly with cropping (i.e. with decreasing resolution).

Kit lens against prime

Here is the comparison between a typical APS-C kit lens and a modestly bright and wide prime: kit zoom vs. moderately bright prime numbers show cropped image resolution, relative to native resolution

Super-zoom against bright prime

Here is a comparison between a longer zoom lens and a brighter prime: superzoom vs. bright prime numbers show cropped image resolution, relative to native resolution

It seems pointless to buy kit zoom lenses, but that is not new. In other words, variable-aperture zooms look only somewhat better than cropping when it comes to light capture, and seemingly only serve to maintain high resolution when zooming.

  • 7
    \$\begingroup\$ Let's be realistic. A typical kit lens has a 3x zoom factor. So my 20MPix camera would be a 2.2MPix camera at the long end of the zoom. In practice I have replaced the kit lens by a better lens that has a 4x zoom factor, so that would be 1.25MPix. \$\endgroup\$
    – xenoid
    Commented Jan 8, 2020 at 7:41
  • \$\begingroup\$ @kdarras Is this an ANSWER to your own question? Or just more info that should be included in the original question and not posted as answer. This is not a forum, here you ask a question and the answer space is for answers. \$\endgroup\$
    – Alaska Man
    Commented Jan 8, 2020 at 20:30
  • 7
    \$\begingroup\$ @AlaskaMan this is an answer to my own question, that I have asked myself over the last weeks. Please note that this should be OK: stackoverflow.com/help/self-answer \$\endgroup\$
    – kdarras
    Commented Jan 8, 2020 at 21:09
  • \$\begingroup\$ @kdarras Yes you can self answer but if you already knew the answer before you posted then what was the point of asking us. \$\endgroup\$
    – Alaska Man
    Commented Jan 8, 2020 at 23:09
  • 4
    \$\begingroup\$ To get new insights, other opinions, and learn, just like what happened with Steven Kersting's post. And to share knowledge, simply. \$\endgroup\$
    – kdarras
    Commented Jan 9, 2020 at 8:19

The answer is, not surprisingly, "it depends on the lenses being compared."

You are correct that cropping results in a loss of light. In fact, it is the FL cropping (increased magnification) that causes a zoom lens to have a "variable aperture." In reality the aperture diameter remains the same size; so the f# changes relative to the change in FL (crop/magnification). But f#'s are not exact (often rounded) and do not necessarily directly correlate to light transmission efficiency (T-stop), so there may be some variability there.

And typically it is not sensor resolution that limits the recorded resolution. A Nikon 500/4 delivers approximately 18MP on a 20MP D5, and 8MP on a 20MP D500 DX body. Which should not be surprising because a DX crop of the 20MP D5 frame also leaves ~ 8MP remaining. But it doesn't produce the full resolution of either sensor... it is the lens that is the limiting factor (and the D5 has an AA filter).

In order to increase the recorded resolution requires a lens which is sharper at a wider aperture, and used at a wider aperture; which is more easily achieved with faster/wider prime lenses. But just because a lens is a wider prime does not necessarily mean that it is going to be sharp enough to offset the loss of resolution due to cropping compared to the (potentially lesser) loss of resolution when zooming with a variable aperture lens.

BTW, this is very similar to the conundrum one faces when deciding between cropping a native lens or adding a teleconverter (variable aperture FL zoom/cropping). And the results are quite often the same... negligible difference. But it does really depend on the specific lens/TC in question.

  • \$\begingroup\$ Very interesting comments (especially about focal length cropping), thank you! I clarified the lens sharpness issue in my post. \$\endgroup\$
    – kdarras
    Commented Jan 8, 2020 at 21:11
  • \$\begingroup\$ how does a lens deliver pixel resolution? Are you referring to something like DxO's "perceptual megapixels"? \$\endgroup\$
    – scottbb
    Commented Jan 8, 2020 at 23:03
  • \$\begingroup\$ @scottbb, yes, I am referring to something like DXO's perceptual MP's; which is tested MTF/LPMM converted to pixels required to generate it. It all goes back to the size of the airy disks generated by the lens, and the MP's required to equal/record that. \$\endgroup\$ Commented Jan 9, 2020 at 4:16
  • \$\begingroup\$ Entrance pupils do not remain the same size with most zoom lenses, because most of the increase in magnification occurs between the physical diaphragm and the front of the lens. If the e.p. did not change size as an 18-55mm f/3.5-5.6 lens was zoomed, an 18mm f/3.5 lens (with an e.p. of 5.14mm) would be f/10.7 at 55mm. \$\endgroup\$
    – Michael C
    Commented Jan 10, 2020 at 5:30
  • \$\begingroup\$ @Michael C, you're right, it does vary some. So I removed "entrance pupil" and left it as only "aperture diameter." \$\endgroup\$ Commented Jan 10, 2020 at 13:38

I thought I would be better off cropping from a prime lens than zooming with the kit lens such as the Sony SEL 16-50 f/3.5-5.6 or the SEL 55-210 f/4-6.3 but I was wrong. However, I was not happy with the results from either of the kit lenses. Then I purchased a better lens, the Sony SEL 18-135 f?3.5-5.6 and decided to test this to help me decide whether to purchase the Sony SEL 70-350 or a fast zoom like the Tamron 28-75 f/2.8. In my tests it was clear that When zooming in with a good zoom lens such as the Sony Sel 18-135 f/3.5-5.6 which is very sharp, it is better than cropping from a prime such as the Sony SEL 85 f/1.8. For example, a close up portrait at 135 f/5.6 is better than a cropped image from the Sony SEL 85 F/1.8. This only failed when the image was a busy one with a lot of small details because the then noise reduction caused loss of detail since I had to use a higher ISO. For posting to social media, it made little difference. Now I have the SEL 70-350 and I can get similar results as those of the 85mm F1.8 when the light is good by stepping back a little and zooming in. However, in low light and busy scenes, the prime lens is always going to win.

  • \$\begingroup\$ I have not had a chance to fully test my new Sony SEL 70-350 due to events being cancelled because of COVID. However, I was able to test it with my family indoors with low light. The OSS on the 70-350 is such that I am able to shoot handheld at 1/30 fully zoomed out and get sharp shots which allow me to retain more details than if I shoot with the 85mm f1.8, which I have to shoot at 1/125 or higher to reduce camera shake blur. \$\endgroup\$ Commented Dec 26, 2020 at 1:21

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