What is the relationship between lens diameter and exposure?

All of the online calculators for exposure, I have seen, factor in time, film speed, and aperture (which is a function of the iris diameter and the focal length of the lens).

However I would have thought a lens with a larger diameter (with the same focal length and aperture) would collect more light and therefore be faster!

For example lets say I have a scene of a candle 10 meters (32 ft) away, with a black back drop. I have a 10 mm diameter lens, with lets say a focal length of 80 mm, an aperture of f/8 and 100 iso film. This takes say 10,000 seconds of exposure. Now what if we get four 10 mm lens. Use some fancy arrangements of mirrors/prisms to have them focus on the one piece of film. That should take 1/4 of the time (2,500 seconds). Lets just ignore any image distortion for now.

Ok so lets say, rather than four 10 mm lenses we use one 20 mm lens (which would be the same area) I would expect that to take 1/4 the time as well.

However this doesn't seem to be take into account with any calculators I have seen.

Am I just looking at rubbish exposure calculators, or am I missing something?

Edit: This question specifically asks about lens diameter and Exposure. The duplicate linked questions, deal with exposure (not taking lens diameter into account or look at image quality and diameter. Neither of which deal with my question at all!

• Dec 31, 2018 at 17:36
• N.B. I linked How does the lens diameter influence photo quality? because many of the answers there answered this question too. But I don't suppose it hurts to have a question which spells it out explicitly. Dec 31, 2018 at 17:38

You're missing something. When it comes to photometric exposure, it's the angular area of the light cone entering the lens that matters. As long as their lenses cover the same angle of view, a very large camera and a smartphone camera will have the same photometric exposure. The same amount of photons have the same opportunity to enter the same light cone.

That's exactly why we use the f-number: it eliminates the need to know precise, exact aperture areas. Because the f-number is a ratio of two orthogonal measurements — that is, the lens's focal length and the entrance pupil's diameter are at right angles to each other — it is another way of describing an angle, mapped through the tangent function. As previously mentioned, the same light cone angles from the same camera perspective see the same light intensity, but that's just a tangent function away from saying the same focal-length-to-aperture-diameter ratios (i.e., f-numbers) see the same light intensity.

Note that actual front lens element diameter is not the lens’s aperture. It’s size of the entrance pupil, the aperture when seen from the front of the lens. For telephoto lenses, the front element needs to be large enough to see the entire iris image, or else it would act as a field stop, limiting the maximum aperture size.

But looking at the front of a wide angle lens, you’ll notice the entrance pupil is much smaller than the front element. That’s because the front element is large (and heavily curved and bulbous) in order to gather light from a wider field of view.

• My understanding of f-number is that it is the focal length divided by the iris (not lens) diameter. Dec 31, 2018 at 6:09
• @DarcyThomas Almost. The aperture is the entrance pupil, which is apparent iris when seen from the front of the lens.
– scottbb
Dec 31, 2018 at 13:21
• The F# is the FL divided by the iris as magnified by the objective element, and it cannot be larger than the objective element itself. For instance, on my 400/2.8 lens the iris is ~ 80mm in diameter physically; it cannot be 143mm in dia because the lens barrel is much smaller where the iris is located. But it can appear to be 143mm w/in the light path because the objective lens magnifies it. This is how a constant aperture zoom works; as the magnification of the subject increases so does the magnification of the iris, and the F# remains constant. Nov 18, 2020 at 15:28
• @StevenKersting The entrance pupil can be larger than the objective element when focusing on a finite distance. This kind of wide-open design leads to strange bokeh, like "cat's eye bokeh" and also to vignetting. For some purposes, such effects outside of the "straightforward" equations can actually be useful. Nov 18, 2020 at 21:56
• @user95069 That's a very astute point, and one that is quite counterintuitive. More explicitly, for a ray on the optical axis entering a lens focused on a finite distance, the maximum acceptance angle is limited by the front element, but because the entrance pupil (other than for ultra-wide angle lenses) is behind the front element, somewhere inside (or even behind the lens), the apparent entrance pupil diameter could possibly be the extension of the acceptance angle cone extended to the location of the entrance pupil.
– scottbb
Nov 19, 2020 at 2:06

Lens diameter is irrelevant as long as the aperture is in control of the light (namely, the "bokeh" of defocused spot lights has the shape of the aperture opening). A valid aperture guarantees that the sensor only "sees" lens when "looking through" the aperture opening. Adding dead lens area to the sides of the active lens area does not change that. It only adds weight and lens problems.

In converse, if you take the weight and lens problems, you'll want the payoff in the form of a larger maximum aperture number. Nobody doubles the lens area without also adding another aperture stop to the lens. It would be stupid. Possible, yes, but stupid.

What is the relationship between lens diameter and exposure?

For a given focal length, a lens with a larger front element will generally be faster. That is, it'll have a larger maximum aperture, allowing a shorter exposure time.

All of the online calculators for exposure, I have seen, factor in time, film speed, and aperture (which is a function of the iris diameter and the focal length of the lens)

The sizes of the elements in front of the iris are determined by the lens's f-number. That's why, for example, Canon EF 50mm lenses at f/2.5, f/1.8, f/1.4, and f/1.2 have increasingly larger front elements. Another example: Canon EF 70-200mm lenses at f/4 (filter size 72mm) and f/2.8 (filter size 77mm):

Larger elements are more expensive, so manufacturers will tend to use the smallest lens elements they can. But a larger aperture requires larger elements to maintain the same angle of view.

However this doesn't seem to be take into account with any calculators I have seen.

You're not wrong -- larger diameter lenses do collect more light. You just didn't realize that the f-number used by the calculators you were looking at already accounts for that.

The maximum amount of light available for an exposure is determined by the system etendue, which defines how spread out the light is. Etendue is defined by the angular extent (apparent/relative size) of the source/subject as seen by the objective element. And it is simultaneously/equally the angular extent of the objective element as seen by the source/subject. So in a fixed system, with no additional restrictions, the diameter of the objective element is it's aperture and determines the maximum light available (F#).

However, if there is an additional restriction such as an iris, then the available light is determined by the angular extent (apparent size) of the iris as seen by the source; and since there is a magnifying lens (objective element) in-between them, the apparent size of the iris (and subject) depends upon the magnification of it by that lens. The apparent/effective size of the iris is the lens's entrance pupil and it determines the maximum light available (F#).

In a variable magnification (zoom lens) situation there are two basic options; variable aperture (external zoom) or constant aperture (internal zoom).

In the variable aperture zoom the increase in magnification is caused by extending the objective element farther towards the subject. This increases the apparent size of the subject, but simultaneously decreases the apparent size of the iris; and the system etendue remains constant. There is no more light available and the light is spread out farther (subject recorded larger) so the exposure is reduced. I.e. the reduction in apparent size of the iris results in a smaller F#.

In the fixed aperture zoom additional internal elements are used to increase the magnification of the objective element as seen from the camera side, and thus increase the relative/apparent size of the subject relative to the iris. And those/other additional elements simultaneously increase the magnification/apparent size of the iris as seen from the subject position. In this case the system etendue decreases (the available light is less spread out). More light from the subject is available, so when it is spread out farther (recorded larger) the exposure remains the same. I.e. the simultaneous increase in the apparent size of the iris results in the same F#. The effect is exactly the same as what would happen if you reduced the etendue by moving physically closer to the subject.

The shape of most camera lenses is a circle. Thus the answer to your question revolves around the math used to find the area of a circle. This is because the amount of light passed to film or digital sensor is chiefly a function of the capturer area of the lens (working diameter).

You know the formula to figure out the area of a circle, it is: Area = Radius squared multiplied by Pi. Thus the area of a 10mm circle = 10 ÷ 2 X 10÷2 X 3.1416 = 75.5398 sq. millimeters. Thus the area of 20mm circle is 20 ÷ 2 X 20 ÷ 2 X 3.1416 = 314.1593 sq. millimeters. Thus a 20mm dimeter lens passes 314.1593 ÷ 75.55398 = 4. In other words, a lens twice the diameter of another passes 4X more light.

Now the basic unit of exposure used in the jargon of photography is the f stop. This is an increment of exposure change = a doubling of halving of the exposing energy. In other words, to double the exposure you increase or decrease the area of the lens to achieve a 2X change. This can be accomplished using the lens aperture or by adjusting the shutter speed or a combination of both. As to the difference between a 10mm diameter lens and a 20mm lens, this change establishes a 4X change equal to 2 f-stops.

Thus the formula to figure out the area of a circular lens is the key to your question. But maybe even better is a factorial: Multiply the diameter of any lens by the square root of 2 and you compute a revised diameter that yields a 2X (1 f-stop) change. This key number is 1.4142. This value is also the factor used to compute the f-number set: 1 – 1.4 – 2 – 2.8 – 4 – 5.6 -8 – 11 – 16 – 22 – 32. Note, each number going right is its neighbor on the left multiplied by 1.4. Each number going left is its neighbor on the right divided by 1.4. Again, multiply or divide the diameter of a circle by 1.4 yields a revised diameter that has twice or half the surface area. As to the lens, this translates to a 2X change in light transmission.

Another factorial: The amount of light passed by a lens intertwines its diameter with its focal length. If the capture area of the lens is doubled or halved we get a 2X change. If the focal length is doubled or halved we get a 4X change. This is because the lens produces an image by projection. If we double the focal length, the image magnification changes 2X but the area of the projected images changes 4X. This intertwining creates a dilemma. To solve this simply we fall back to a ratio. This math divides the focal length of the lens with its working diameter and conceives a value called the focal ratio. This is the familiar f-number system we use. Again, the f-number intertwines the light loss or gain of focal length change with the light loss or gain of aperture change. We use the f-number to take the chaos away.

Now exposure has a math formula called the law of reciprocity. E = exposure I = intensity of the projected image T = dwell time of the exposure. Formula E=!T (exposure = intensity multiplied by time. This law holds for general photography however its accuracy often fails when film is caused to undergo a prolonged exposure (1 second or longer) or when film is exposure using super short exposure time (1/1000 of a second or quicker).

All that being said – If more than one lens is used to project an image; and the images are superimposed, the exposing energy will be increased. Thus if 4 otherwise equal lenses are deployed, each contributes 25% of the exposing energy.

The transition is not as smooth as the calculations may indicate. In the real world there is a disrupting factor known as reciprocal failure ! Which adversely affects the outcome , it reduces the expected amount of light transferable a factor dependent to some extent on the nature of the glass used. Coating the lens and treating the coating with various treatments sometime improved the light transferable characteristics of the lens. There is also distortion cased by the type of glass used.

• What do you mean by "reciprocal failure"? There is such a thing a reciprocity failure, but that only pertains to shooting on film, which describes the exponentially decreasing sensitivity of film to low light levels. But that has nothing to do with lens diameter or photo metric exposure in general.
– scottbb
Nov 19, 2020 at 22:06