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Fujifilm has an extended dynamic range mode, which is in some way linked to ISO. The X-Pro 1 has a sensor with a base ISO of 200; if I enable "DR 200%", the minimum possible ISO increases to 400, and if I go to "DR 400%", the minimum ISO becomes 800.

I can see — easily, in fact using the DR bracketing drive mode for comparison — that the increased ISO means more noise and less detail. But if I needed ISO 800 anyway for my exposure, is there any detriment in using the extended dynamic range mode?

If there isn't any downside, why isn't it always on when ISO is above the base? (There is an "Auto" setting, but I'm not sure if it simply does that, or if it has a more complicated heuristic taking the actual DR of the scene into account.)

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On this model Fuji's extended DR function doesn't really alter the dynamic range of the sensor (if there were a way to increase DR it would be on all the time).

Instead it gives you more room to recover highlights (which to most people makes it seem like dynamic range has increased) which is done by underexposing the shot. The reason for the increased minimum ISO when using, say DR400%, is that this mode uses the same amplification as ISO200 (it's not possible to underexposure a base ISO shot without changing shutter speed or aperture). This produces a signal underexposed by two stops, which is corrected in software. The advantage to correcting in software is that you can detect when highlights would be clipped and prevent this from happening.

So to answer your question, there is indeed a difference between shooting at ISO800 and shooting with DR400% and ISO800 - the former uses hardware amplification only, the latter uses software amplification only (DR200% uses half hardware, half software). Using software amplification carries with it increased shadow noise. This is because amplification happens post readout so you amplify the read noise, which doesn't happen if you amplify before readout.

If your sensor has very low read noise anyway then the increase in noise when using this approach can be pretty small. But there is still some noise penalty which is why (in addition to the inability to use wider apertures/longer shutter speeds) this setting isn't always on.

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    \$\begingroup\$ Okay, so, it's exactly the same as the "highlight clipping protection mode" on my Pentax camera. That makes sense. \$\endgroup\$
    – mattdm
    Commented Apr 30, 2012 at 13:14
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    \$\begingroup\$ @mattdm yes, and the same as Nikon's Active D-Lighting and Canon's Highlight Tone Priority. The confusing fact is that some Fuji cameras have special sensors which do genuinely increase dynamic range. \$\endgroup\$
    – Matt Grum
    Commented Apr 30, 2012 at 13:25
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    \$\begingroup\$ Yes, exactly — I have a Fujifilm Finepix F200EXR with just such a sensor. I understand the urge for a camera maker to put similar functionality under the same name regardless of underlying implementation, but it tends to make things more confusing once one reaches the level of actually caring about the impact. \$\endgroup\$
    – mattdm
    Commented Apr 30, 2012 at 13:29
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    \$\begingroup\$ @mattdm As always there's no substitute for shooting RAW, bracketing or using the histogram for exposure and not having to second guess what your camera's JPEG engine is actually doing! \$\endgroup\$
    – Matt Grum
    Commented Apr 30, 2012 at 16:52
  • \$\begingroup\$ So, for the sake of completeness, on Fujifilm cameras with the EXR sensor, is there any downside? (I know there's lower resolution, but is that all?) \$\endgroup\$
    – mattdm
    Commented Apr 30, 2012 at 17:37
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My considerably cheaper Fuji :) has the same DR modes and I keep it at 400% most times. It does not deter image quality but makes blown highlights much more rare and exposures look more natural.

My understanding is that the higher ISO is sensitivity in dark areas while the highlights are still exposed as if they were with 2 steps less ISO (for DR400%). It is probably more complicated technology though! So if you need a high-ISO, then there won't be any issues.

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