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might not have been 1600...
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It will probably depend somewhat on what you're taking pictures of. The Stylus Epic was my very favorite film camera of my misspent youth, and I tended to keep it loaded with Fuji Superia 1600 (or was it 800?) for night shooting. It's a little grainy, but I always liked the way it rendered artificial light colors, and the high ISO rating, combined with the long maximum exposure time (4 seconds, IIRC) means that if you can keep the camera and subjects from moving, you can do a lot without flash. I used to carry a little 4-inch mini-tripod in my pocket, for shots like this one:

Turn-of-the-century Detroit

Using a film formulation like that in daylight may result in overexposure in sunlight and a strong blue cast in shadows, though. Actually, I'm not even sure it's still available, but something similar probably is, at least.

It will probably depend somewhat on what you're taking pictures of. The Stylus Epic was my very favorite film camera of my misspent youth, and I tended to keep it loaded with Fuji Superia 1600 for night shooting. It's a little grainy, but I always liked the way it rendered artificial light colors, and the high ISO rating, combined with the long maximum exposure time (4 seconds, IIRC) means that if you can keep the camera and subjects from moving, you can do a lot without flash. I used to carry a little 4-inch mini-tripod in my pocket, for shots like this one:

Turn-of-the-century Detroit

Using a film formulation like that in daylight may result in overexposure in sunlight and a strong blue cast in shadows, though. Actually, I'm not even sure it's still available, but something similar probably is, at least.

It will probably depend somewhat on what you're taking pictures of. The Stylus Epic was my very favorite film camera of my misspent youth, and I tended to keep it loaded with Fuji Superia 1600 (or was it 800?) for night shooting. It's a little grainy, but I always liked the way it rendered artificial light colors, and the high ISO rating, combined with the long maximum exposure time (4 seconds, IIRC) means that if you can keep the camera and subjects from moving, you can do a lot without flash. I used to carry a little 4-inch mini-tripod in my pocket, for shots like this one:

Turn-of-the-century Detroit

Using a film formulation like that in daylight may result in overexposure in sunlight and a strong blue cast in shadows, though. Actually, I'm not even sure it's still available, but something similar probably is, at least.

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It will probably depend somewhat on what you're taking pictures of. The Stylus Epic was my very favorite film camera of my misspent youth, and I tended to keep it loaded with Fuji Superia 1600 for night shooting. It's a little grainy, but I always liked the way it rendered artificial light colors, and the high ISO rating, combined with the long maximum exposure time (4 seconds, IIRC) means that if you can keep the camera and subjects from moving, you can do a lot without flash. I used to carry a little 4-inch mini-tripod in my pocket, for shots like this one:

Turn-of-the-century Detroit

Using a film formulation like that in daylight may result in overexposure in sunlight and a strong blue cast in shadows, though. Actually, I'm not even sure it's still available, but something similar probably is, at least.