Timeline for What modifiers and workflow should I use to light a hand-painted muslin background?
Current License: CC BY-SA 3.0
3 events
| when toggle format | what | by | license | comment | |
|---|---|---|---|---|---|
| Dec 24, 2014 at 14:01 | comment | added | feetwet | The primary problem in the question seems to be about creating diffuse light. The desired effect on the background can be achieved bouncing a focused speedlight off a white reflector (including wall/ceiling) behind the subject. Of course it can't compare with the control of using a monolight and soft boxes, but somebody using a Yongnuo speedlight is probably interested in cheaper solutions. | |
| Dec 24, 2014 at 11:57 | comment | added | mattdm | I'm confused — other than the possibility of finding the answer at Strobist somewhere, how does this answer the question about lighting the background for separation? Won't shooting near a white wall just spill more light everywhere? | |
| Dec 24, 2014 at 4:37 | history | answered | feetwet | CC BY-SA 3.0 |