Timeline for Can anyone identify the manufacturer of this golden lens?
Current License: CC BY-SA 3.0
5 events
| when toggle format | what | by | license | comment | |
|---|---|---|---|---|---|
| Jul 31, 2014 at 12:20 | comment | added | Matt Grum | @Andrew true, but the point is there is with stills you can usually upgrade to a larger format / higher resolution sensor when you want a wide image, whereas shooting moving pictures on film this isn't possible (the cost of moving from 35mm to 70mm for a production would be pretty huge). with digital cinema cameras now sporting resolutions of 5K and upward this restriction doesn't exist, if anamorphics are used it is for effect, either for the squished bokeh or lens flare (see any J.J. Abrams film). | |
| Jul 31, 2014 at 11:50 | comment | added | Andrew | Panoramas work only when your subject is static. Say if there are waves or wind going through the trees it might be tricky to stitch it back together, I'm not even talking about wide portraits. | |
| Jul 28, 2014 at 21:55 | vote | accept | helm | ||
| Jul 28, 2014 at 21:49 | history | edited | Matt Grum | CC BY-SA 3.0 |
added 54 characters in body
|
| Jul 28, 2014 at 21:38 | history | answered | Matt Grum | CC BY-SA 3.0 |