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When people are concerned more about a technique than they are about whatever effect an artist intended, that piece has failed as art. HDR toning tends to be so glaringly obvious and ugly that it draws attention to itself before anything else can be considered, causing the image in which it was used to fail as art.

When people are concerned more about a technique than they are about whatever effect an artist intended, that piece has failed as art. HDR toning tends to be so glaringly obvious that it draws attention to itself before anything else can be considered, causing the image in which it was used to fail as art.

When people are concerned more about a technique than they are about whatever effect an artist intended, that piece has failed as art. HDR toning tends to be so glaringly obvious and ugly that it draws attention to itself before anything else can be considered, causing the image in which it was used to fail as art.

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It's very much like looking at impressionisticimpressionist paintings. The execution is at least as important as style choice. Some nice images have been created using HDR, but the effect has been over-used. Many people are now tired of it. There are also images where HDR is not well used. This includes images with lifeless colors; halos; desaturated, low-contrast shadows; harsh, blurry transitions between light and dark; and exaggerated, over-sharpened details.

When people are concerned more about a technique than they are about whatever effect an artist intended, that piece has failed as artfailed as art. HDR toning istends to be so glaringly obvious that it draws attention to itself before anything else can be considered, causing the image in which it was used to fail as art.

Where did this requirement come from? Is it no longer art if the image is "changed drastically"? Regardless, HDR toning does change the image drastically. Every because every pixel is modified in the process.

It's very much like looking at impressionistic paintings. The execution is at least as important as style choice. Some nice images have been created using HDR, but the effect has been over-used. Many people are now tired of it. There are also images where HDR is not well used. This includes images with lifeless colors; halos; desaturated, low-contrast shadows; and exaggerated, over-sharpened details.

When people are concerned more about a technique than they are about whatever effect an artist intended, that piece has failed as art. HDR toning is so glaringly obvious that it draws attention to itself before anything else can be considered, causing the image in which it was used to fail as art.

Where did this requirement come from? Is it no longer art if the image is "changed drastically"? Regardless, HDR toning does change the image drastically. Every pixel is modified in the process.

It's very much like looking at impressionist paintings. The execution is at least as important as style choice. Some nice images have been created using HDR, but the effect has been over-used. Many people are now tired of it. There are also images where HDR is not well used. This includes images with lifeless colors; halos; desaturated, low-contrast shadows; harsh, blurry transitions between light and dark; and exaggerated, over-sharpened details.

When people are concerned more about a technique than they are about whatever effect an artist intended, that piece has failed as art. HDR toning tends to be so glaringly obvious that it draws attention to itself before anything else can be considered, causing the image in which it was used to fail as art.

Where did this requirement come from? Is it no longer art if the image is "changed drastically"? Regardless, HDR toning does change the image drastically because every pixel is modified in the process.

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xiota
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As others have mentioned, the distinction between "hardware" and "software" isn't clear because modern cameras are specialized computers. Most cameras have multiple toy modes, and some cameras have in-camera raw processing, along with other editing capabilities.

Restrictions to limit photography to in-camera processes might have originated as a guideline for documentary photographers to reduce the temptation to edit their photos. For some, it's a point of pride to get it "right" in camera. For others, it's a time saver to not have to post-process.

As others have mentioned, the distinction between "hardware" and "software" isn't clear because modern cameras are specialized computers. Most cameras have multiple toy modes, and some cameras have in-camera raw processing, along with other editing capabilities.

mattdm speculates: "Differences from human perception which are due to limitations of the medium are generally more accepted than intentional alteration free from that." The dichotomy is natural vs unnatural, in and for a particular medium, not hardware vs software.

You can do whatever you want and call it art. You don't even need a camera. Whether other people agree with your "artistic" tastes is a separate issue.

When people are concerned more about a technique than they are about whatever effect an artist intended, that piece has failed as art. HDR toning is so glaringly obvious that it draws attention to itself before anything else can be considered, causing the image in which it was used to fail as art.

Where did this requirement come from? Is it no longer art if the image is "changed drastically"? Regardless, HDR toning does change the image drastically. Every pixel is modified in the process.

As others have mentioned, the distinction between "hardware" and "software" isn't clear because modern cameras are specialized computers. Most cameras have multiple toy modes, and some cameras have in-camera raw processing, along with other editing capabilities.

Restrictions to limit photography to in-camera processes might have originated as a guideline for documentary photographers to reduce the temptation to edit their photos. For some, it's a point of pride to get it "right" in camera. For others, it's a time saver to not have to post-process.

You can do whatever you want and call it art. You don't even need a camera. Whether other people agree with your "artistic" tastes is a separate issue.

Where did this requirement come from? Is it no longer art if the image is "changed drastically"? Regardless, HDR does change the image drastically. Every pixel is modified in the process.

Restrictions to limit photography to in-camera processes might have originated as a guideline for documentary photographers to reduce the temptation to edit their photos. For some, it's a point of pride to get it "right" in camera. For others, it's a time saver to not have to post-process.

As others have mentioned, the distinction between "hardware" and "software" isn't clear because modern cameras are specialized computers. Most cameras have multiple toy modes, and some cameras have in-camera raw processing, along with other editing capabilities.

mattdm speculates: "Differences from human perception which are due to limitations of the medium are generally more accepted than intentional alteration free from that." The dichotomy is natural vs unnatural, in and for a particular medium, not hardware vs software.

You can do whatever you want and call it art. You don't even need a camera. Whether other people agree with your "artistic" tastes is a separate issue.

When people are concerned more about a technique than they are about whatever effect an artist intended, that piece has failed as art. HDR toning is so glaringly obvious that it draws attention to itself before anything else can be considered, causing the image in which it was used to fail as art.

Where did this requirement come from? Is it no longer art if the image is "changed drastically"? Regardless, HDR toning does change the image drastically. Every pixel is modified in the process.

;;
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xiota
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  • 129
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Source Link
xiota
  • 27.1k
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  • 42
  • 129
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Source Link
xiota
  • 27.1k
  • 4
  • 42
  • 129
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;;
Source Link
xiota
  • 27.1k
  • 4
  • 42
  • 129
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Source Link
xiota
  • 27.1k
  • 4
  • 42
  • 129
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