So I just read about Exposing to the RightExposing to the Right as a way to compensate for the way the dynamic range bracketing works - http://luminous-landscape.com/expose-right/
This basically does a rough. This roughly re-mapping ofmaps intensity values, such so that there are more "shades" of shadows that are captured and, but somewhat less "shades" of highlights.
But if a camera uses a LUT to essentially spread the captured information more evenly onto the 8/10/12/etc -bit space, then basically a similar effect isshould be achieved - albeit for LUTs, the resulting image, when viewed without being post-processed, has a very specific look, with reduced contrast and range peaking around the mid-tones (unless I'm mistakingmistaken).
I guess the ETTR would yield a (pre-post-processing) reduced-contrast image with histogram peaking closer to the highlights. But But in this sense the two would achieve similar effects, and are employed for similar purposes, it's. It's just the transformation function that is essentially the same (if I understand it right).
However, I'm curious to hearabout two things:
- advantages and disadvantages of using one over the other
What are the advantages and disadvantages of using one over the other?
- whether there is a way to employ both and whether it makes sense (e.g. shoot with an HDR camera that can do a log-based LUT recording and expose the video to the right somehow), such that a bigger benefit is obtained over using just one approach
Is there a way to use both techniques to obtain a greater benefit over using just one approach? (For example, shooting with an HDR camera that can do a log-based LUT recording and expose the image to the right somehow.)
My intuition says that the disadvantage comes from the non-logarithmic (?) nature of ETTR, the. The advantage of ETTR is clearly itits being a technique that can be easily employed even on cameras without HDR/LUT capabilities and that combining. Combining the two would not help in any way (assuming an idealised scenario,scenario; e.g., one where we're not overexposing to compensate for lack of light, etc.).