India Point Park

India Point Park
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Hot answers tagged

9

I can think of several ways you could use it... backdrop: If the creative directory wants two looks with the same model in the same clothes, shooting both at the same time could save some time. Just because you're on a beach doesn't mean that every shot has to include the beach. lighting modifier: Shooting with the screen out of view but close to the model ...


4

This is another of those cases where the real answer is a lot more complicated than telling you a lens to buy. Fashion photography in particular is very strongly about staging. Even if you're using natural light, you will need to learn to understand and control that light. For many beginners, bad experience with cheap on-camera flash drives an aversion to ...


3

Those two good lenses will handle the resolution, once stopped down to an optimal aperture. This is around F/5.6 on the Nikkor and F/4 on the Zeiss. Do test it out before going to your shoot. 2 stop down from wide-open is a rule-of-thumb, many quality lenses need less. The most important for your close up shots though is the magnification as you will lose ...


3

Two reasons that jumps right out at me are size and weight. A 70-200 is pretty big, especially with a hood. To a new model, I bet it's downright intimidating. Hold that 70-200 for long, and you'll start to feel it in your hand and wrist, too. An 85mm easily solves both of those problems, assuming you want to shoot at 85.


2

Primes nearly always outperform zooms for distortion and sharpness at a given focal point as their construction is generally simpler with fewer optical elements in the light path. Zooms are, by nature, compromised as they have to be able to provide different focal lengths with as low distortion as possible, and this entails some fairly complex optical ...


2

You need not worry; most lenses are up to the task. Some lenses are better than others, generally you get what you pay for. Every lens is afflicted with defects that force substandard results. There are seven major defects that result in substandard performance. Spherical Aberration Coma Aberration Astigmatism Curvature of field Distortion Longitudinal ...


2

As much as I want to mention the Jarvie window technique, I have to concede that basically it is macro shooting; fisheye lens, very close distance to subject (a foot or less from the lens). It's just a distorted or effect portrait, but it has lots of the normal macro characteristics. Other than the Jarvie window technique, I've seen several professional ...


2

My guess is that the ring light you saw on that TV show was just being used as a prop and the actor "photographer" had no idea what a ring light is used for. Yes, it is reasonable to use a ring flash or ring light for non-Macro photography. It is a realistic thing to see from a Pro but only in some situations. Many Pro's use ring lights for fashion ...


1

That's the reason: to shoot a fashon runway performance. This is event photography. This is not a studio. You have models running around, an audience that watches them, etc. One rule of thumb in event photography is: The photographer doing his/her job is not really part of the show. You should not get in the way of what's happening. For normal ...


1

No, it is pretty much the other way around... can the camera sensor resolve the lens detail? Digital cameras have always had anti-aliasing filters because they simply cannot resolve the finest detail from the lens. They suffer moire if the sampling is not AT LEAST double the detail level (Nyquist), which it has not been... so the cameras have required AA ...


1

What lens you chose really depends on two things; what composition you desire and the space you have to shoot in. I can't tell you the answer to either. Since you have a bit of time to adjust your shot before the guests arrive I think that the best answer is to simply take advantage of that. Bring a friend along who can stand in position and try out your ...


1

The short answer is yes, the long answer is depends. The background Are you shooting full body? It is a little more difficult to make a smooth background. Do you have enough space between your background to the subject? If you have considerable space you can put more power to the background light or use a big difused light. Does the background light has ...


1

A "cookie-cutter" lens for beginning would be a 35/1.8 in my opinion. It is not really expensive and it is more versatile than a 50 mm lens on an APS-C sensor. Once you are comfortable, I'd say you should buy a zoom lens, in order to have more possibilities with the background of the model.



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