I have a bunch of scanned old family photos where the photo paper has a texture. Unfortunately, the texture of the photo scans quite well. What is the best way to remove the texture? (Photoshop CS5)
So... I'm by no means an expert at this, but... Here's what I did with your image:
Not too bad, I think, given a JPEG start. You can play with a lot of these steps to get close. Anyways, my source for this idea was: http://www.advancingwomen.com/photography/40944.php and I'd say it works... :)
Since the noise is periodic, your best option is to Fourier-transform the image and filter out the specific spatial frequencies of the noise. This way you will preserve a lot more detail than with any gaussian-based filtering.
I don't know whether Photoshop can do that, but here is an example using ImageMagick.
I would like to add my technique!
This technique comes from observing that the highlights and shadows of the photo paper texture are largely reversed when scanned from the opposite direction. Blending two such scans together cancels out most of the texture this way.
Obviously this doesn't clear it up 100%... maybe 2 more scans at 90 and 270 degrees added to the mix would do more. But the big plus is that it DOESN'T remove any information from the photo, providing a much cleaner baseline which should require less-destructive settings in subsequent filtering. I was able to further clear things up a tiny bit by copy-pasting the "Difference" between the two aligned scans into a new Difference level at about 10% opacity, but I've never been brilliant at those level filters at the bottom of the list... so your mileage may vary.
I also think this process may help reduce subsequent destructive filtering for random textures such as light scratches. Hey, what does it cost to try, right? If it works for you, tell your friends.
Do you still have access to the original photos?
The best thing you can do is to put it on a copy stand with two lights on goosenecks and re-shoot with a good digital camera. You can play with the positions of the two lights to eliminate the texture.
Other copy stand possibilities:
If you have a quantity of these to do, it might be worth spending the relatively small amount needed to put together a good copy stand setup. If you don't want to invest in a copy stand, a versatile tripod -- one with a centre column that can tilt -- might do in a pinch.
I'm a big fan of correcting such things as early in the process as possible, rather than the "fix it in Photoshop" approach. This is certainly something that can be easily cured in the digitizing phase to give you much better quality than anything you could do in Photoshop, which will ultimately be at least somewhat destructive of image quality.
I think you can do better than a large radius blur.
For removing light coloured dust, a common technique is to duplicate the image, set the blend mode to darken, then nudge (move) the duplicate layer a few pixels so that darker pixels overlay where the dust is (and these darker pixels are from the immediate surrounding area, so match the colour/tone well). Because you use darken mode, only lighter coloured pixels (the dust in this case) are affected. You then use a mask to paint over the the dust.
For dark coloured defects you use a duplicate layer with lighten blend mode.
Because you have a nice pattern of alternating lighter and darker pixels, you can use a combination of two duplicate layers, one in darken mode, the other lighten mode. This is a common technique in photo restoration for removing textures like this:
Below is a before/after that I've done quickly. You should be able to get better results by using the higher resolution original, and by using many layers and fixing one area at a time (background, cap, skin, uniform). You can still see some texture which you can fix address with a light blur, or by repeating the technique again.
I have masked the layers like so:
Oh, and take special care around the eyes. If everything else ends up a bit blurry, as long as the eyes are sharp, the image will look good. I would zoom in on the eyes and spend a lot of time on them, and after smoothing out the texture, would then sharpen them. You may end up with some artifacts, but you want sharp eyes!